Call for Papers 2018-01-08T13:35:43+00:00

Themes

Image and Society

  • Mass media. Culture industry.
  • The society of the spectacle.
  • The phenomenon of ‘second screen.’ Multitasking viewers.
  • Media influence and political world.
  • Visual sociology. Visual dimensions of social life.
  • Cultural dimensions of the image: race, ethnic origin, gender, age, sexuality, bodies.
  • Advertising. Rhetoric of the image.
  • Propaganda: forms, psychological mechanisms, and political agendas.
  • Global and local images.
  • Galleries. Museums. Achaeological sites.
  • Cultural heritage.
  • Fashion. Design. Cosmetics.
  • Body image. Cosmetic surgeries. Eating disorders.
  • The impact of social media on male/female body image.

The Image Industry

  • Cultural policies.
  • Film industry. Film festivals.
  • Painting and sculpture exhibitions.
  • Auction houses. Agents and agencies.
  • Local and international trade.
  • Digital distribution platforms. Streaming.
  • Self-publishing and self-promotion. Youtubers.
  • Digital devices: smartphones, tablets, augmented reality.
  • Media and education. Edumedia.
  • New business models and new processes.
  • Copyright and intellectual property.
  • Graphic design tools.
  • Interactive multimedia content.
  • Video games.

Visual History and Philosophy

  • History of art.
  • Philosophy of art. Aesthetics.
  • The visible and the invisible.
  • Images and material culture.
  • Technologies of the image.
  • Analyzing images.
  • Iconographic documents. Image archives.
  • Image and social networks. Images on the cloud. Internet.
  • Webcams. Privacy and surveillance.
  • Intellectual property rights. Creative Commons. Reusability.
  • Authorship. Co-authorship. The author-function concept. Death of the author?
  • Elements of the image: perspectives, colors, lines, sight.
  • Visual ethics I: religious images, philosophical images and metaphors, photo and video journalism, filmaking.
  • Visual ethics II: ethics of visual production, ethics of visual reception. Codes of ethics and self-regulation.
  • New visual ecologies. New philosophies.

Visual Culture

  • The substance of the image.
  • Visual form vs visual function.
  • Static images: photography, painting, drawings, comics, sculptures.
  • Dynamic images: cinema, TV, videos, documentaries, animation.
  • Visual rhetoric: charts, paintings, diagrams, webpages, advertising, movies, newspapers, magazines, photographs, newsreels.
  • Explicit images. Hidden messages. Ways of seeing.
  • Visual learning. Visual literacy. Interpreting, negotiating, and making meaning from images.
  • Visual fine arts: drawing, painting, sculptures, photography, video, cinema, ceramics.
  • Visual applied arts: industrial design, graphic design, fashion design, interior design, decorative art, architecture.
  • Visual communication. Semiotics.
  • Visual storytelling: channels, archetypes, emotions, and engagement.
  • Transmedia storytelling.
  • Visualization technologies.
  • Geographical Information System (GIS). Conceptual maps.
  • Digitization and visualization of cultural objects. 2D and 3D.
  • Medical images. Images in/of science.

2018 Highlighted Theme

Contributions of the Christian Art to the Contemporary Visual Cultures

We live in an era in which everything is looked at in terms of images; as Heidegger would call it, in a world overpopulated with images. We get to the point of confusing what is real with what it represents. Deeply rooted in Western culture, the Christian artistic tradition also appears in many classifications of images. Aesthetics, on the other hand, has studied Christian art in a more classical way. However, it is necessary to extend that field to contemporary visual cultures or to the sensitive production of our times that involves the viewer’s way of observing and his relationship with the object observed. How do we read or re-read Christian images within the current cultural convulsions? What is the viewer’s relationship with them? Do Christian images alter our view of the world? What do Christian images mean for our lives? The central subject of this Conference deals with this theoretical and methodological relevance. It includes the fields of production and visual communication, fine arts, popular art, advertising, electronic images, photography, posters, caricatures, fashion, film, videos, multimedia, video art, eco art, audiovisual shows, and giant screens, including architecture and forms of active and passive recreation, among others.

Sessions

Communication

This type of session is best suited for works about investigations already undertaken or academic papers. The authors will present a summary of their work (purpose, procedures, results or products). The formal oral presentation of the work should be limited to 15 minutes. Presentations will be grouped according to the theme or perspective of these thematic sessions (which can be 60, 75 or 90 minutes) with a question/answer time and group discussion after all presentations. All rooms will be equipped with projectors for presentations in PDF or PPT.

Round Table

This type of session is best suited for position papers, review of the theoretical and conceptual frameworks, works in progress, politic analysis, or topics that generate and benefit from a broad discussion. The authors are assigned a numbered table in a large meeting room for the entire session (usually about 30 minutes), during which they can talk and interact with other attendees interested. Please note that computers, screens or projectors are not available on the sessions.

Poster

This format is ideal for presenting the preliminary results of work in progress or for projects that are rendered in posters or panels. In these sessions (usually about 40 minutes), the authors have the opportunity to exhibit their work and participate in an informal discussion with other attendees. Each poster must include a brief summary of the purpose and work procedures. The dimensions of the poster should not exceed 85 cm wide by 110 cm long.

Workshop

This type of session is best suited to teach or demonstrate certain procedures, skills or techniques. Some considerations that are appropriate for this session format are for example: a demonstration, performance, presentation, discussion or dialogue with the public. These sessions are usually scheduled for about 30 minutes and should be structured so that any explanatory information or input is provided and there is sufficient time for interaction with the public time, participation and involvement.

Colloquium

This congress session is scheduled in 90 minutes and consists of five authors propose a series based on a common theme documents. Documents can present complementary aspects of a specific body of work or contrasting views on a specific topic. There must be at least 5 registered participants. The session must conceive about 15 minutes for individual presentations and a minimum of 15 minutes of public debate or questions and answers.

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